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Cinema and Television Specialist Magazine - مطالب آبان 1390



Please join us November 10th for an exclusive evening celebrating Emmy® Award-winning artists, producers, VFX supervisors, and studios. This star-studded evening, hosted by Jeri Ryan, features special guest, Mr. Dick Van Dyke; a panel of experts who will discuss production techniques that continue to revolutionize the film and television industry; plus, a very special LightWave product announcement highlighting the latest tools of the trade.

Come mix and mingle with your peers and find out what it takes to create Emmy® Award-winning projects.

Please Plan to attend:

  • EVENT: VFX Minds and special LightWave product announcement
  • PLACE: Academy of Television Arts & Sciences / Leonard H. Goldenson Theatre at 5220 Lankershim Blvd., North Hollywood, CA 91601
  • DATE: Thursday, November 10, 2011
  • TIME: 6:30pm - 9:00pm PT

Panelists include:

  • Chuck Comisky - VFX Supervisor and Film Producer "Terminator 2 3D," "Aliens of the Deep," "Avatar" (Stereoscopic VFX Supervisor); On set stereo supervision - "Sanctum 3D," "Final Destination 5 3D"
  • Gary Hutzel - VFX Producer at Universal with BSG/Emmy Award winner - "Battlestar Galactica" (VFX Supervisor) and "Star Trek: The Next Generation" (VFX Supervisor)
  • Ron Thornton - VFX Producer "Star Trek: The Movie"/Emmy Award winner - "Babylon 5" (VFX Supervisor)
  • Eric Hance - "Terra Nova" VFX Supervisor/Emmy Award winner 


برچسب ها: VFX Mind ،

RED Unveils 5K Still/4K Motion Scarlet-X
The $9,750 Camera Is Scheduled to Ship in December; "RED 300" Tweet the News 
Beth Marchant
November 4, 2011
While Canon's splashy EOS C300 launch event at Paramount Studios drew to a close on November 3, RED's CEO Jim Jannard unveiled the 5K Still/4K Motion Scarlet-X to a 300 of another sort in Stage 6 at RED Studios Hollywood. Like the Spartans battling the Persian Empire, Jannard's army of faithful users actually did much of the work for his company last night, announcing the news via Twitter to users across the globe.


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برچسب ها: RED Unveils 5K Still/4K Motion Scarlet-X ،

دوشنبه 16 آبان 1390

iDC Follow Focus

   نوشته شده توسط: کمال پورحنیفه Kamal Poorhanifeh    نوع مطلب :Cinema And Television Hardware And Software Equipments ،




برچسب ها: iDC Follow Focus ،



Canon Debuts Two New 4K Cinema EOS C300 Cameras    
EF- and PL-Mount Versions Can Be Remote-Controlled from an iPad       



In a much-hyped event this afternoon in Los Angeles at the storied Paramount Studios lot, Canon introduced two new cinema cameras that appear to be competing directly with Sony's CineAlta line, both in price and in specs. The Canon EOS C300 (EF-mount) and EOS C300 PL (PL-mount) are built around an 8.29 Megapixel Super35 CMOS sensor and feature native 4K (4096 x 2160 pixels) resolution. The C300—which includes an LCD monitor, battery, charger and more— will list for $20,000 and is scheduled to begin shipping in January. The PL-mount version will also list for $20,000 and begin shipping in late March.a


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برچسب ها: Canon Debuts Two New 4K Cinema EOS C300 Cameras ،

Exploring The Video Feature Improvements On The Canon EOS-1D X

Dan Carr | 10/18

Canon have listened to DSLR movie makers and implemented important new features

image

Yesterday Canon launched their new flagship DSLR, the EOS-1D X.  Please explore my previous post for a full rundown of the tech specs, this time I will be concentrating on the improvements that Canon have made for those that want to use the camera for movie making.  The camera offers the first major improvement to Canon’s DSLR video functionality since the firmware update for the 5d Mark II that enabled 24p.

HDSLR video is now three years old and developments have really been few and far between.  We know that Canon was caught by surprise when people took so readily to using the EOS-5D Mark II for making movies.  It was never designed with that in mind but due to community pressure Canon eventually enabled some clunky audio controls and 24p through a firmware update.  Subsequent cameras like the EOS-7D and the EOS-1D Mark IV had very minor improvements like the ability to shoot in 50/60p at a reduced resolution but there were no advancements.  The reason for this is the development cycle of a new camera is many years, the 7D and 1D4 were already in development when the 5Dmk2 was released so there were only minor things that Canon had time to incorporate into those cameras.  What they really needed was a totally new camera, one that could be built from the ground up with the knowledge that it would need to have some killer DSLR video functionality to push things forwards.  Enter the EOS-1D X.


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برچسب ها: Exploring The Video Feature Improvements On The Canon EOS-1D X ،